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1 |
Scripts |
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Developing Scripts |
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1.1 |
untitled: The student combines the dramatic elements of theatre, the structural parts of a script, and the basic elements of a story to create a script.
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1.1.1
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The student creates original script that includes characters with dialogue that motivates action and creates mood.
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1.1.2
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The student synthesizes their personal experiences, heritage, and history in creating a script to incorporate a theme or strong dramatic mood.
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1.2 |
untitled: The student effectively uses research material in making artistic scriptwriting choices.
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1.2.1
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The student uses multiple resources to research and write a script.
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1.2.2
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The student creates an appendix to the play that explains and defends how they use research.
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1.2.3
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The student creates a nonfiction play based on primary sources such as interviews.
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1.3 |
untitled: The student creates and revises script through the following stages: written script, rehearsal, performance.
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1.3.1
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The student collaborates with a peer to produce works that include writing, revision, rehearsal, and performance.
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1.3.2
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The student independently writes, revises, rehearses, and performs a monologue based on a specific theme such as a character struggling with an important decision.
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1.3.3
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The student independently writes, revises, and rehearses a script working with actors and a director, making necessary revisions during rehearsals.
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2 |
Directing |
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Directing Theatrical Activities |
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2.1 |
untitled: The student collaborates with technical staff and production designers to direct a performance.
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2.1.1
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The student applies the elements required for producing a unified production.
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2.1.2
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The student coordinates the work of all staff, designers, and performers to create a unified production.
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2.2 |
untitled: The student produces a play from audition through performance.
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2.2.1
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The student demonstrates taking a play from page to stage by successfully fulfilling the following five steps:
a. develops a production concept.
b. creates a director’s notebook.
c. auditions and casts a production.
d. coaches actors and conducts rehears
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2.3 |
untitled: The student collaborates with technical staff and production designers.
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2.3.1
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The student effectively collaborates by coordinating the work of all staff, designers, and performers to create a unified production.
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3 |
Acting |
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Developing Acting Skills |
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3.1 |
untitled: The student creates characters consistent with classical, contemporary, and non-realistic dramatic texts.
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3.1.1
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The student identifies the elements that comprise style in specific texts.
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3.1.2
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The student performs monologues and/or scenes from various theatrical styles and periods.
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3.2 |
untitled: The student evaluates use of physical techniques to create a character.
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3.2.1
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The student monitors and evaluates strengths and weaknesses in the development of physical, vocal, and movement techniques.
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3.2.2
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The student creates a program for improvement of physical, vocal, and movement techniques.
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3.3 |
untitled: The student selects a psychological acting approach to create a specific character.
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3.3.1
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The student evaluates the requirements of the specific script and character.
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3.4 |
untitled: The student creates an effective acting ensemble.
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3.4.1
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The student provides leadership in the creation and maintenance of the production ensemble.
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3.4.2
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The student mentors younger actors within the ensemble.
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4 |
Producing |
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Designing and Producing Theatre |
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4.1 |
untitled: The student fulfills the roles and responsibilities as a unified unit necessary for a successful production.
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4.1.1
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The student plans prop list, costumes, floor plans, and lighting plot.
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4.1.2
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The student collaborates with directors and other designers.
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4.1.3
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The student fulfills the responsibilities of a crew chief for an actual production.
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4.1.4
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The student fulfills the responsibilities of the designers, technicians, and creators.
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4.1.5
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The student explains the interaction that occurs across the various roles.
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4.1.6
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The student communicates with other crew members and among those fulfilling the other theatre staff roles.
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4.2 |
untitled: The student designs a unified production.
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4.2.1
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The student conceptualizes and provides artistic interpretations for informal or formal productions.
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4.2.2
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The student researches historical context of a script and uses the findings as a basis for interpretation and design.
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4.3 |
untitled: The student completes a set for a production.
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4.3.1
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The student rewrites a script, designs it, and creates a unified set for a production.
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4.5 |
untitled: The student creates and implements marketing plans for a self-scripted production.
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4.5.1
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The student creates and implements production schedules, stage management plans, promotional campaigns, and business and front of house procedures.
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4.5.2
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The student advertises their production through the media (TV, radio, newspaper).
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5 |
Dramatic Content and Theatrical Forms |
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Evaluating and Reflecting on the Characteristics and Merits of Dramatic Content and Theatrical Forms in their Work and that of Others |
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5.1 |
untitled: The student identifies the possible or actual intentions of respective theatre artists and justifies personal interpretations in comparison using aesthetic criteria.
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5.1.1
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The student compares two different performances of the same script.
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5.1.2
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The student writes a thorough critical analysis of dramatic texts.
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5.1.3
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The student studies and compares professional criticism of same and different texts or performances.
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5.1.4
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The student compares linear and non-linear plot structures and how each communicates meaning.
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5.1.5
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The student compares and contrasts fully developed characterizations against stereotypes.
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5.1.6
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The student compares and contrasts performance’s main ideas with their own or others’ real life situations.
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5.1.7
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The student explores different stylistic approaches to sound, movement, and other spectacle elements.
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5.1.8
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The student explores emotional responses among different forms of theatrical performance.
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5.2 |
untitled: The student compares critics’ evaluations of performances with personal meanings and emotional responses.
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5.2.1
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The student recognizes why critics responses are different and at times similar to personal interpretations of works.
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5.2.2
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The student compares critics’ evaluations with personal reviews.
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5.2.3
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The student defends personal meanings and interpretations of performances in light of critics’ reviews.
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5.3 |
untitled: The student explains the historical origins of various dramatic genres and theatrical forms and how historical contexts affect contemporary audience responses.
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5.3.1
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The student describes and justifies personal artistic choices based on cultural interpretations.
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5.3.2
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The student documents and critiques present times from a theatrical perspective.
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5.3.3
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The student outlines ways their personal experiences of physical places have impacted and can affect their theatrical works.
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5.3.4
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The student explores the major plays and playwrights throughout historical periods explaining the impact they have had on social development.
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5.3.5
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The student explores how theatre reflects historical periods including how it is manifested today.
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5.3.6
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The student interprets cultural, social, and political conditions that have influenced playwrights.
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5.4 |
untitled: The student analyzes how criticism affects audience responses toward performances.
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5.4.1
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The student analyzes and evaluates a variety of dramatic performances with positive, constructive criticism and justifies responses.
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5.4.2
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The student records evaluations of performances addressing audience impact.
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5.4.3
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The student evaluates audience response in relationship to actors’ performance.
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6 |
Integrating Theatre |
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Integrating Theatre with Other Arts, Disciplines, and the Community |
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6.1 |
untitled: The student integrates all the arts and other disciplines when taking a performance from page to stage.
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6.1.1
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The student records the connections made between all content areas and theatre when going through the production process of a self-scripted work.
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